Review of Two Dark Horses exhibit by Dylan Thomas in Southwest Journal
84 x 48 inches
Lauren Roche’s Visceral, Evocative, And Singular Paintings, an article by Nathaniel Smith in current Beautiful Decay.
acrylic, ink, polyurethane on paper
Wendy Red Star's work highlighted in the article 11 Contemporary American Indian Artworks That Blend Tradition And Experimentation by Kathrine Brooks in the Huffington Post.
Wendy Red Star
Winter (Four Seasons series), 2006
35.5 x 40 inches (paper size)
archival pigment print
Interview with Andrea Carlson in Pollen.
Cannibal Ferox, 2008
48 x 72 inches
oil, acrylic, ink, color pencil, and graphite on paper
Modern Spirit: The Art of George Morrison
A major traveling exhibition of work by George Morrison, curated by W. Jackson Rushing III, Adkins Presidential Professor of Art History, and Mary Lou Milner Carver, Chair in Native American Art at the University of Oklahoma and organized by the Minnesota Museum of American Art and Arts Midwest, with the Plains Art Museum is currently at the Smithsonian National Museum of the American Indian, George Gustav Heye Center (October 05, 2013–February 23, 2014).
White Painting, 1965
15 x 21 inches
oil on canvas
One Tree, Many Spirits
Recent review of Hazel Belvo's Spirit Tree by Dylan Thomas in the Southwest Journal.
66 x 48 inches
acrylic on canvas
Julie Buffalohead and her furry little friends deconstruct the obvious
Recent article about the artwork of Julie Buffalohead by Judy Woodward in the Park Bugle.
The Love Ojbect, 2012
20 x 15 inches
mixed media on paper
Art & Vision: Simplification of Complications by Nathaniel Smith
Recent article on John Snyder's exhibit HELLO.
Hello Birds, 2013
30 x 22.5 inches
gesso on paper
Art & Vision: Edge of Esoteric
by Nathaniel Smith
Recent article on current exhibit Edge of Camp.